{"id":11884,"date":"2019-06-24T23:00:46","date_gmt":"2019-06-24T21:00:46","guid":{"rendered":"http:\/\/www.salesianos.edu\/revistasmx\/?p=11884"},"modified":"2019-06-27T12:18:35","modified_gmt":"2019-06-27T10:18:35","slug":"crear-per-a-creixer-junts-art-i-expressio-en-la-nostra-inspectoria","status":"publish","type":"post","link":"https:\/\/www.salesianos.edu\/revistasmx\/ca\/crear-per-a-creixer-junts-art-i-expressio-en-la-nostra-inspectoria\/","title":{"rendered":"Crear per a cr\u00e9ixer junts Art i expressi\u00f3 en la nostra inspectoria"},"content":{"rendered":"
<\/div>\n

Els primers salesians van portar a les nostres inspectories aquesta estima per l’art i l’expressi\u00f3: els nostres majors recorden encara de grat les m\u00edtiques representacions de sarsueles i sainets de la Galeria Salesiana,<\/strong> adaptacions d’obres cl\u00e0ssiques a repartiments formats nom\u00e9s per xics. Pablo Anchoa o Sindo, el Tonto<\/strong> \u00a0van ser \u00e8xits rotunds.<\/p>\n

\"\"<\/p>\n

A mitjan dels 60, irrompen els festivals de la Can\u00e7\u00f3 Blanca<\/strong>, que arriben a aconseguir notorietat en tot el pa\u00eds i una de les seues finals, en Llars Mundet, \u00e9s transmesa per Televisi\u00f3 Espanyola: poca broma. Bruno Juan \u00c1lvarez Abreu<\/strong> recorda el festival a Santa Cruz de Tenerife, \u201corganitzat pel Col\u00b7legi dels Salesians de la capital, situat llavors a Puente Galcer\u00e1n\u201d i rememora l’actuaci\u00f3 del seu company, Jos\u00e9 Manuel Hern\u00e1ndez<\/strong>; eren temps d’Eurovisi\u00f3, de Massiel i el seu La, la, la.<\/p>\n

\"\"<\/p>\n

No obstant aix\u00f2, amb el Musical Don Bosco<\/strong>, estrenat en 1988 en el centenari de la mort del nostre fundador, comen\u00e7a una nova era en l’expressi\u00f3 art\u00edstica de l’Espanya salesiana: Antonio Gil Prieto i Joan Faner<\/strong> es posen al capdavant d’un projecte ambici\u00f3s en la seua producci\u00f3 professional, del qual sorgeix l’enregistrament d’un disc i la representaci\u00f3 d’aquest musical per tota Espanya. Aix\u00ed valora Antonio Gil<\/strong> el significat d’aquesta nova forma de teatre: \u201c\u00c9s a trav\u00e9s del text, de la can\u00e7\u00f3, de la coreografia, del ball que es desenvolupen les potencialitats de les moltes actituds que motiven l’atenci\u00f3, harmonia, comunicaci\u00f3, control, concentraci\u00f3, dinamisme, disciplina, esfor\u00e7, il\u00b7lusi\u00f3, imaginaci\u00f3, optimisme, respecte, responsabilitat, sensibilitat, treball, uni\u00f3… i abasta diverses arts esc\u00e8niques (text, poema, can\u00e7\u00f3, interpretaci\u00f3) que juntes, harmonitzen all\u00f2 del que els protagonistes s’enamoren i il\u00b7lusionen i entusiasmen el p\u00fablic amb el que diuen i com el diuen\u201d.<\/p>\n

Molts d’aquells actors forjats a la fi del segle passat continuen animant avui l’expressi\u00f3 art\u00edstica en totes les seues formes, tant en el lleure com en l’ensenyament reglat; aix\u00ed ho expliquen tres professors dels nostres centres: \u201cNom\u00e9s guarde per a mi la m\u00e0gia que Don Bosco va veure en l’art per a poder transformar els joves i el seu entorn. Des de fa m\u00e9s de 30 anys, a la casa on coordine l’activitat de teatre, l’objectiu sempre ha sigut el mateix: que els destinataris aprenguen la import\u00e0ncia del treball en equip darrere d’un paper principal, la necessitat d’aquell que mai no ix a l’escenari, l’alegria i el missatge que rep el p\u00fablic, sempre, des de l’\u00f2ptica del nostre estil\u201d (Eugeni Gonz\u00e1lez, Sarri\u00e0, Barcelona). \u201cLa tradici\u00f3 teatral en el Col\u00b7legi Salesi\u00e0 de l’Almunia de Donya Godina \u00e9s tan antiga com el propi col\u00b7legi i es remunta a 1956. El teatre ha significat, per a la Fam\u00edlia Salesiana, un element b\u00e0sic i complementari al nostre sistema pedag\u00f2gic transmetent valors de treball en equip, creativitat, assertivitat, disposici\u00f3 a ajudar, comprom\u00eds i producci\u00f3 d’alegria (L\u00eddia Borniquel). I Toni Zafra, des de Barcelona, Sarri\u00e0: \u201cAra, des de la pastoral del centre, estic acompanyant i motivant aquest camp amb tots els joves que volen formar part del Moviment Juvenil Salesi\u00e0 de Sarri\u00e0. Per a mi, el camp de l’art i l’expressi\u00f3 en salesi\u00e0 no acaba en els grups de teatre i els musicals, que potser s\u00f3n la part m\u00e9s visible, sin\u00f3 que va m\u00e9s enll\u00e0: grups de guitarra i batucada, corals, cinef\u00f2rums o grups de m\u00fasica\u201d.<\/p>\n

\"\"<\/p>\n

Per\u00f2 no tot anava a ser teatre o musicals: el C\u00edrculo M\u00e1gico Don Bosco<\/strong> nascut en terres andaluses va marcar una fita en els 90 i encara continua en expansi\u00f3 despr\u00e9s d’uns anys de certa crisi. En 2018 van estrenar la Gala ben\u00e8fica, la p\u00e0gina web www.lamagiadedonbosco.com<\/a> i van recuperar la seua seu principal en el nostre col\u00b7legi Sant\u00edsima Trinidad, de Sevilla. Entre els seus membres destaquen el Mag Lluna, Sercode, Mister Duvell o El Mag Drolu. Una modalitat art\u00edstica que s’est\u00e9n per altres parts de la inspectoria.<\/p>\n

 <\/p>\n

Dues iniciatives singulars<\/strong><\/p>\n

Assisi Produccions<\/strong> <\/a>\u00e9s un col\u00b7lectiu de persones compromeses amb l’educaci\u00f3 i la transformaci\u00f3 social a trav\u00e9s de l’art en general i la m\u00fasica en particular; formen part del projecte educatiu-pastoral de la casa salesiana Sant Joan Bosco de Val\u00e8ncia, i all\u00ed disposa d’un estudi d’enregistrament professional i d’un segell discogr\u00e0fic.<\/p>\n

L’humanisme cristi\u00e0 i l’estil de Don Bosco s\u00f3n el substrat sobre el qual s’assenten els seus projectes. Els seus integrants consideren que l’art \u00e9s un mitj\u00e0 \u00f2ptim per a educar en valors, tant als qui participen en els processos creatius com als qui reben les creacions art\u00edstiques.<\/p>\n

\"\"<\/p>\n

L’exist\u00e8ncia de Assisi Produccions \u00e9s dilatada. En els \u00faltims anys han desenvolupat diversos projectes de clara incid\u00e8ncia social: col\u00b7laboraci\u00f3 amb monsenyor Pere Casald\u00e0liga<\/strong> i el col\u00b7lectiu de \u201cEls sense terra\u201d de Sao F\u00e9lix (el Brasil), creaci\u00f3 d’una escola a Madagascar, cooperaci\u00f3 amb el projecte \u201cLove\u201d de Sierra Leone que realitza Missions Salesianes.<\/p>\n

Recentment han ampliat el nivell de convocat\u00f2ria: unes 250 fam\u00edlies de tots els ambients de Val\u00e8ncia Sant Joan Bosco participen ass\u00edduament en els seus projectes com ara el musical \u201c200 Mam\u00e0 Margarita\u201d; el CD \u201cDon Bosco XXI\u201d<\/strong>, concerts solidaris; enregistrament i recreaci\u00f3 del musical Godspell (versi\u00f3 Broadway 2012) o concerts de Nadal.<\/p>\n

En aquests \u00faltims anys han consolidat cicles de concerts amb el nom gen\u00e8ric de \u201cM\u00fasiques per a canviar el m\u00f3n\u201d: Brotes de Olivo, Kairoi, \u00c1lvaro Fraile, Migueli, Emilia Arija, Pedro Sosa, Ivan Almeida o Dani Flors<\/strong>, entre els seus artistes.<\/p>\n

El seu \u00faltim projecte ha sigut \u201cInfluencer<\/strong>\u201d, com\u00e8dia musical original posada en escena en el teatre Talia de Val\u00e8ncia. Onze representacions amb ple absolut.<\/p>\n

\u201cEls qui formem Assisi Produccions posem tots els nostres recursos t\u00e8cnics i humans per a la construcci\u00f3 d’un m\u00f3n millor. Hem fet nostra aquella frase de Don Bosco: una casa salesiana sense m\u00fasica \u00e9s com un cos sense \u00e0nima\u201d, explica Juan Peris Roig<\/strong>, director d’aquest projecte.<\/p>\n

 <\/p>\n

El Cor del MJS<\/strong><\/p>\n

Rafael S\u00e1nchez Cazorla<\/strong>, salesi\u00e0 i sacerdot cordov\u00e9s, actualment director del Cor i orquestra del Moviment Juvenil Salesi\u00e0 exposa aquesta iniciativa: \u201cEl Cor i l’orquestra del Moviment Juvenil Salesi\u00e0 (MJS) \u00e9s una realitat que naix com a servei musical a la Congregaci\u00f3 Salesiana i a l’Esgl\u00e9sia, expressi\u00f3 de la nostra fe i vehicle d’evangelitzaci\u00f3 a trav\u00e9s de la m\u00fasica. Est\u00e0 format per un grup de persones, joves i adults, lligats a cases salesianes de tota Espanya i pertanyents als diferents grups de la Fam\u00edlia Salesiana.<\/p>\n

\"\"<\/p>\n

El nostre cor i orquestra naix l’any 2011 amb la participaci\u00f3 en la Jornada Mundial de la Joventut celebrada a Madrid. M\u00e9s recentment, compartim un moment especialment significatiu amb motiu de la celebraci\u00f3 del bicentenari del naixement de Don Bosco (SYM) a Tor\u00ed en 2015, amb la responsabilitat de l’animaci\u00f3 musical d’aquest esdeveniment. Tamb\u00e9 hem participat en altres celebracions com la visita de les rel\u00edquies de Don Bosco, el musical Gracias Don Bosco, la visita del Rector Major a la inspectoria o la nostra participaci\u00f3 en la trobada mundial de corals al Vatic\u00e0.<\/p>\n

A trav\u00e9s d’aquestes experi\u00e8ncies, busquem viure la m\u00fasica com a forma de compartir, expressar i celebrar la fe segons l’estil salesi\u00e0; establint vincles entre els diferents components del cor i de l’orquestra com a punt de trobada i de sentit de fam\u00edlia; promovent a trav\u00e9s de la m\u00fasica, processos personals d’acompanyament, creixement en la fe i el discerniment vocacional. Una aut\u00e8ntica experi\u00e8ncia de fe per mitj\u00e0 de la m\u00fasica des de l’estil salesi\u00e0\u201d.<\/p>\n

El futur passa per CORS<\/strong><\/p>\n

Les cases salesianes han sigut pioneres en tot all\u00f2 que siga un referent d’Art i Expressi\u00f3: musicals, teatre, caf\u00e8\u2013teatre, mim, revistes, peri\u00f2dics, emissores de r\u00e0dio, estudis d’enregistrament, dansa, coreografies, cors, conjunts musicals, bandes, orquestres i arts pl\u00e0stiques. Tant en la nostra inspectoria, com en la de Santiago El Mayor, ens informa Santi Dom\u00ednguez de l’exist\u00e8ncia de la comissi\u00f3 nacional CORS, que vol ser un equip de reflexi\u00f3 i treball per a tota la pastoral salesiana d’Espanya. Es tracta de reflexionar sobre la manera d’evangelitzar a trav\u00e9s de l’art, el teatre i la m\u00fasica.<\/p>\n

Si aix\u00f2 \u00e9s un somni, que no acabe ac\u00ed.<\/p>\n

Josep Llu\u00eds Burguera<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

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